French Funk Federation Discography Torrent Soundpark

"XYZ, recorded on the featured artist’s appropriately titled debut Another Mind (Telarc, 2003), shattered the tranquility of the crowd like a sudden surge of water bursting through a dam and engulfing.

At 74, Fred Anderson reasserts his royalty on the tenor saxophone with Back at the Velvet Lounge recorded live at Anderson’s club. He unleashes a vital torrent of song over Taylor’s fast dancing.

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Ponder’s version is faster and brings a heavier funk "feel" to the backbeat. As he recalls, he argued with the producer to replace the session’s original bassist with someone whom he felt understood.

A mind-bendingly diverse blend of West African song-forms, Gaelic folk melodies, urban funk rhythms, blazing electric guitars. with fervent intensity across the album. Occasionally this torrent of.

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At 74, Fred Anderson reasserts his royalty on the tenor saxophone with Back at the Velvet Lounge recorded live at Anderson’s club. He unleashes a vital torrent of song over Taylor’s fast dancing.

Chance & the Contortions (and his alter-ego-band, James White & the Blacks) were focused on probing the outer reaches of the late 1970’s black and white musical fringes—Miles Davis’ fractious.

Hall’s sax shapes the structure and leads the instrumentation of "Life of the Mind," for example, even though the music those instruments are actually playing sounds more attuned to experimental.

"XYZ, recorded on the featured artist’s appropriately titled debut Another Mind (Telarc, 2003), shattered the tranquility of the crowd like a sudden surge of water bursting through a dam and engulfing.

Torrents of powerful attacks on the keys alternated with moments. Some of the tracks belonged to the album Touch the Sky, to be released later in the year. Funk and blues rhythms treated in a jazzy.

Hall’s sax shapes the structure and leads the instrumentation of "Life of the Mind," for example, even though the music those instruments are actually playing sounds more attuned to experimental.

Their lilting swing on Lewis’ "Hey, It’s Me You’re Talkin’ To" finesses ebullient statements from Copland and Osby, whose blistering alto torrents on "Talkin’ Blues. The understated funk of the.

Monk looks at it. Thinks he’ll straighten it, then decides against it and records the thought. Notes flow. Gush in a torrent through his head. He dances in a circle until the music stops. Adjusts his.

A mind-bendingly diverse blend of West African song-forms, Gaelic folk melodies, urban funk rhythms, blazing electric guitars. with fervent intensity across the album. Occasionally this torrent of.

Their lilting swing on Lewis’ "Hey, It’s Me You’re Talkin’ To" finesses ebullient statements from Copland and Osby, whose blistering alto torrents on "Talkin’ Blues. The understated funk of the.

Chance & the Contortions (and his alter-ego-band, James White & the Blacks) were focused on probing the outer reaches of the late 1970’s black and white musical fringes—Miles Davis’ fractious.

Torrents of powerful attacks on the keys alternated with moments. Some of the tracks belonged to the album Touch the Sky, to be released later in the year. Funk and blues rhythms treated in a jazzy.

Monk looks at it. Thinks he’ll straighten it, then decides against it and records the thought. Notes flow. Gush in a torrent through his head. He dances in a circle until the music stops. Adjusts his.

Ponder’s version is faster and brings a heavier funk "feel" to the backbeat. As he recalls, he argued with the producer to replace the session’s original bassist with someone whom he felt understood.